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The natural thing is not what happens every day in front of us. The most natural and true is what is hidden, what the naked eye can not see. If we look at the real facts of all things natural, we can develop our critical and draw our own conclusions, which are inherent in our thinking and be tailored to the needs of self. This state of permanent alert is reached or not reached. Not an easy question, is a slow and costly awareness. A position that means not being indifferent to observe the facts and the little things that sometimes, being so close, we go unnoticed. When the mind is exercised enough, after years of experience, more easily arise from the diverse relationships, and other systems are structured more integrated unit, resulting in different and true aesthetic proposals, which will enable further reading and other meanings. 1 Birth of Color «The couler est l’accord de deux tons. Ton Le froid, dans toute l’opposition desquels is the Theorie, ne peuvent d’une manière is set absolue: ils n’existent that relativement». Baudelaire The colors that are already commonly used in some way in our memory presentidos past, and some may see the light through or how we need to show them. The color will depend on our sensory perception, objectual, cultural, symbolic, and especially our state of mind and awareness of the inevitable Lightness of Being. The color desired and imagined and therefore depends on our feelings and perceptions, and the spirit that we take against them according to the dictates of the soul. For the soul is composed of a spiritual and immortal substance, capable of understanding, will and feeling, which informs the human body and it is the essence of man. And it is well known that the soul desires easily slip in some holes to give strength. That’s why when the soul falls in love with the idea of color and try to possess it, it takes shape and becomes visible. From the intense bond between soul and idea-color, body color born. Color corporeal and physical, can reveal the presence of the soul imprint that created it. 1.2 Psychological Aspects of Color «On the lighter color, like snow or common salt» 2 «Without a tone, due to refraction of all or almost all the light that falls on it «3 Psychologically, it is the representation of purity. White virgin virgin bride. White innocence and true good shepherd lamb. White flag receiving the gift of the white feather. White Feather sterility, coldness, and cleaning of the battlefields. Storm icy white. Sweet softness. Snowflake. Simple and clean sophistication. White sheet to lay out in the baptismal font. «The color of buttercups and ripe lemons, or a color close to it.» «Any group of colors vary in saturation but have the same tone. Lie approximately at wavelengths between 585-575 nanometers.» «Yellow is the complementary color of blue, with the cyan and magenta, is a set of primary colors. » Nature and Abstraction. Warm amber that encourages concentration on study hours. Too hot. Feverish delirium, and bile. Flag quarantine at sea. Go to the countryside to breathe clean air. The midday sun blind your eyes. Location: danger of imminent death. Wasp venom and reptile. Status: bisexual. «A color whose tone is the sky or the portion of the color spectrum lying between green and violet …» 4 «Any group of colors, such as a clear and cloudless sky, that have wavelengths between 490 and 445 nanometers. Blue is the complementary color of yellow and with red and green, formed a series of primary colors. » Real celestial messenger. I read in your body blue, certain echoes of my youth. And in your face stigma overseas to love and hate. With countenance plunged, constant and tenacious reflection of your condition. I have brought a message key, height and depth. Quiet, brooms Abyssal your flight, and you walk away. The sky and the sea. «A color whose hue is similar to that of blood or ruby or that is in the long-wave end of the visible spectrum.» «Between a color set, either, like a ripe tomato or fresh blood, which is located at one end of the visible spectrum near the orange, and is perceived by the eye when light over a length of approximately 740-620 nanometers wavelength, affects the retina. The eye is the complement of cyan and appears in a series of primary colors next to blue and green. » After taking her first communion fainted. Mother, that’s hot! Get her to the river bank!. For charity!, Ma’am: a snack of bread and wine. How awful!, That daring!, Let’s go!. Poor river. We failed to prevent war or the ferocity of the fighting near your shores, and in a fit of anger he saw all stained with fresh blood. Behold!, Behold, there is the infamous scarlet woman. That splendor!, That heady aroma!. These are tears of blood and orange. That value!. The albino girl awake already. Is appearing in her cheeks red coral. «The darker color, eat coal or soot.» «Without a tone due to the absorption of all the light that falls on it, or most of …» Psychologically represents night. Mystery black announces the day, and evocation of witchcraft. Black witchcraft coven. Bird Flight black carnal sexuality permeates forests. Blankets black to hide the joy widowed. Brightness jet to guide blind men of clarity. 1.2 chromatic scales used in the work The colors of the painter are born in the imagination. But the way it displays, color, tone and value arises from the need to see the light. Sometimes pregnancy comes from wet and then requires that pale moon, they are tender colors, and can die trying to want to survive. Its appearance depends on the looks velvety caress, and an atmosphere that is: a cloudless sky, clean air and clear, and the temperature and relative humidity. Its chromatic scale would be: colors: Albus, Glaucus, Candidus, Flavus, cerulean, and pallidus. The visible color darkness born are the pairs formed by the color dreamed of a given time, and mixtures of certain local tones. The variations arising from these mixtures are endless. Its chromatic scale would be at: colors: Citrinus, puniceus, Rufus, croceus, and Rubeus Colors of absence. All born with glitter glow immaterial sign and revelation of his resignation. Before them the light is installed in quiet contemplation, and our mint starts a «Vita Nuova». Form the following chromatic scale colors: rubicundus, Purpureus, Venetius, lividus, Lazulus, Fuscus and Niger. The outstanding features of the body of work that consistently presented as a unit, and referred to it as most salient features of a purely formal reading, can be reduced to three: 1. These are all works which do not maintain with reality any point of contact, so that could be classified as belonging to the abstract or non-figurative art of the modern movement. But they belong to a particular field of paints unrepresentative or illusionists, who no stopping in the constitution of a purely formal language, beyond the artistic vocabulary restricted to head towards a somewhat art might call «religious» . 2. They use a very limited set of shapes and colors, to the point of being almost monochromatic paintings, in order to focus on artistic research the specific constitution of the syntax of a totally liberated art from figuration traditionalist. 3. All, have a «space frame» like in your organization. So, we are constantly developing a «geometric and linear lattice» that cuts and limited open gaps, used as backgrounds pictures expansive » Notes: 1 Pérez Estrada, Rafael. «Treaty of the clouds.» ED. Renaissance. P. 26 Madrid. 1990 2 «Oxford American Dictionary», published by Oxford University Press, New York, USA, 1980 3 «Collins Inglés Dictionary». Published by William Collins Sons & Co. Ud, London and Glasgow, 1986. 4 «Webster’s Ninth». New Collegiate Dictionary. published by Merriam-Webster Inc., Springfield. (Massachusetts). 1993